Hello. My name is R and this is a blog that I've created, collecting poems from English literature. I took English Literature as a course in my last year of high school and I absolutely fell in love with it. I've learned so much about life and the world just from studying all these various poems. Learning about the poets as well, has greatly enriched the course, and I recommend that anyone who has a passion for poetry (or even just Shakespeare) to take a course in English literature.
The reason I started this blog was because I wanted to keep all my favourite poems from the course in one place, so that when school ended, I could still re-read all those poems. Another reason was because I hope that other people will take an interest into English literature and will study it as well.
What's amazing is that I think that poets and literature, in general, teaches life lessons. Believe me, a lot of poets are from much more simpler times and the poets really seemed to know what was going on and what to do. It's amazing to study a poem, to see it from all angles, and to try to understand what the poet is trying to say. That's what I love about poetry. It's romance of the voice, it's the language of art, it's absolutely beautiful.
As previously said, I've learned a lot from this course. I've learned that our surroundings are so important, I've learned that it's never too late to do what I want, I've learned that I should always say my mind and so many more things. Whether your interest is in English literature, or French literature or Chinese, Greek, Italian, Spanish, Indian literature....I greatly recommend that you take a chance and study it. You won't regret it.
Here are some notes about my blog:
You may notice that some of the tags are titled as "modern age, victorian age" etc. These are the timelines that the poems were written, or in which the poet lived and thrived. Here is the breakdown of the tags, with their years:
The Anglo-Saxon Period: 449-1066
The Medieval Period: 1066-1485
The Renaissance: 1485-1660
(The Renaissance includes the Elizabethan Age, the Jacobean Age, and the Puritan Age)
The Restoration and Eighteenth Century: 1660-1798
(The Eighteenth Century includes the Restoration of King Charles II, the Age of Pope and The Age of Johnson)
The Romantic Age: 1789-1832
The Victorian Age: 1832-1900
The Modern Age: 1900-Present
The textbook that I am studying from (and that I cannot possibly highly recommend more) is Adventures in English Literature (Athena Edition), published by Harcourt Brace and Company. It is written by Holt, Rinehart and Winston.
Most of the poems I write out here are from British/Irish/Scottish and Canadian/American poets (occasionally I'll post up a poem that has been translated into English from another language).
The picture at the top of this blog is "The Blue Boy" by Thomas Gainsborough. Brilliant painter.
The woods are haggard and lonely,
The skies are hooded for snow,
The moon is cold in Heaven,
And the grasses are sere below.
The bearded swamps are breathing
A mist from meres afar,
And grimly the Great Bear circles
Under the pale Pole Star.
There is never a voice in Heaven,
Nor ever a sound on earth,
Where the spectres of winter are rising
Over the night's wan girth.
There is slumber and death in the silence,
There is hate in the winds so keen;
And the flash of the north's great sword-blade
Circles its cruel sheen.
The world grows agèd and wintry,
Love's face peakèd and white;
And death is kind to the tired ones
Who sleep in the north to-night.
-William Wilfred Campbell
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy autumn-fields,
And thinking of the days that are no more.
Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more!
-Alfred, Lord Tennyson
I am a little world made cunningly
Of elements, and an angelic sprite ;
But black sin hath betray'd to endless night
My world's both parts, and, O, both parts must die.
You which beyond that heaven which was most high
Have found new spheres, and of new land can write,
Pour new seas in mine eyes, that so I might
Drown my world with my weeping earnestly,
Or wash it if it must be drown'd no more.
But O, it must be burnt ; alas ! the fire
Of lust and envy burnt it heretofore,
And made it fouler ; let their flames retire,
And burn me, O Lord, with a fiery zeal
Of Thee and Thy house, which doth in eating heal.
Or whether doth my mind, being crowned with you,
Drink up the monarch's plague, this flattery?
Or whether shall I say, mine eye saith true,
And that your love taught it this alchemy,
To make of monsters and things indigest
Such cherubins as your sweet self resemble,
Creating every bad a perfect best,
As fast as objects to his beams assemble?
O! 'tis the first, 'tis flattery in my seeing,
And my great mind most kingly drinks it up:
Mine eye well knows what with his gust is 'greeing,
And to his palate doth prepare the cup:
If it be poisoned, 'tis the lesser sin
That mine eye loves it and doth first begin.
-William Shakespeare
I
Hear the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells -
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! -how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells -
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now -now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells -
Of the bells,
Of the bells, bells, bells, bells,
Bells, bells, bells -
In the clamor and the clangor of the bells!
IV
Hear the tolling of the bells -
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people -ah, the people -
They that dwell up in the steeple,
All alone,
And who tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone -
They are neither man nor woman -
They are neither brute nor human -
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells,
Of the bells -
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells,
Of the bells, bells, bells -
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells,
Of the bells, bells, bells -
To the tolling of the bells,
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the moaning and the groaning of the bells.
-Edgar Allan Poe
Poems of the English Language
